It was only as the set got deeper and deeper into nostalgia and cliché that he started to veer away from the feel-good vibe and start to focus on the person who was not there. He had tried to drive her from his mind before he even left on holiday, but now, in the midst of a good time the only thing that he saw when he closed his eyes was her face, and more to the point the only thing that he could think was that more than anything he wished that she was there.
He knew in his heart that she was never going to be with him on trips like this or in fact in any way other than the friendship that they already had. Why could he not simply enjoy the fact that they had a connection? Why was context, as ever, king?
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